Posts Tagged ‘John Denver’

Thank you scientist cover

No. Thank you, Thank You Scientist. Thank you for doing what no other rock band seems to be doing right now. Be still, my beating heart… They have horns and strings. Lots of it. And they’re damn good at it.

For fans of The Mars Volta, Coheed and Cambria, Closure in Moscow, and Trioscapes.

Ellis Jasenovic on Saxophones
Andrew Digrius on Trumpet, Flugelhorn, and trombone
Russell Lynch on Violin, Viola, and Mandolin
Tom Monda on Guitars, Shamisen, and Cello
Greg Colacino on Bass
Odin Alvarez on drums, percussion, and fathering gods
Salvatore Marrano on vocals

Out of Rochelle Park, New Jersey, Thank You Scientist is incredibly interesting for many, many reasons. Their sound is entirely their own but takes on influences and sounds that are familiar to even the most sheltered of music listeners.

I have fallen in love with their second album “Maps of Non-Existent Places” which was recorded by Jesse Cannon at Cannon Found Soundation in Union City, New Jersey. Many great bands have recorded there like Mastodon, Dillinger Escape Plan, Botch, Everytime I Die…
Mastered at West West Side Music and Released in April 2012. The album is very well done on all ends.

The Prelude to the album opens as an a cappella ‘tip of the hat’ to John Denver’s 1966 tune Leaving on a Jet Plane but these guys are a little more retro and decide to take the train, pfft… hipsters… It’s airy and a nice introduction to the first track A Salesman’s Guide to Nonexistence.

This track makes several seamless changes that is all just a part of their ultimate design as a band. The riff sounds remnant of early pop-punk but when the horns come in you’re suddenly listening to a Ska band, or so you think. The song continues as a really epic rock tune that hits several big sections. Odin Alvarez stays in the punk rock realm on drums most of the time but really only for this song.

The use of their instruments is far from overdone and they have tasteful lines to really emphasize the song structure. The dynamics of their songwriting allows for a lot of space which is really hard to come by for bands with such a large lineup.

Their most popular track is Feed the Horses (based on Spotify and Last.fm plays). It’s a sexually charged progressive rock rant, instantly getting goosebumps from that first run of 30 seconds. Rhythmically complex and has a sound similar to that of Trioscapes, the mind-blowing jazz-metal side project of Between the Buried and Me’s Dan Briggs.

At 10 seconds it goes into a headbang worthy breakdown with horns blaring with dramatic flare. The song then transitions into a funky section almost unexpectedly from how the song begins. I’m especially impressed with the Salvatore Marrano’s distinction on this track.

It seems Marrano was channeling the late Michael Jackson when recording Feed the Horses. His voice goes really well with their funk parts and it suits their diverse sound. Overall he works well for the group but he tends to remind me of Claudio Sanchez of Coheed and Cambria – who I’m not particularly a fan of. At least he doesn’t have that damned beaver dam on his head… He really shines in their less “rock” sounding sections and actually has a great timbre when he’s not reminding me of a pop-rock singer. I try not to let a single instrument disrupt my enjoyment of music so it shouldn’t affect yours! I know for a fact many people will fall in love with the band because of the sound of his voice.

My favorite track on the album has to be the instrumental Suspicious Waveforms (love the name too). Not for the fact that there isn’t singing on it either, mind you. It’s a really fun jazz fusion song with many lines that make you want to get out your chair and shake dat ass.

The main line gets in your head so fast you’ll think you’ve heard it a thousand times but still want to hear it a thousand more. Every one of them has moments where they really stand up but they use periods of quiet transitions to prepare you for the brilliant solos. Russell Lynch’s violin solo in particular is astounding. The song goes through modern jazz, soul, funk, even a few brief moments of eastern folk. I can’t help but listen to it everytime I put on their album.



Support local music while getting full quality!
Buy from the band via their store on www.thankyouscientist.netBandcamp, Amazon, or iTunes!
But they are infact available for streaming on Spotify as well as on Bandcamp.

Why not check out their first release “The Perils of Time Travel”. A great album and shows some fantastic growth between the two records.

Catch these guys on tour right now with the Tea Club, another proggy outfit sounding more along the lines of a darker Dredg or Muse.

The shows are all listed on Thank you Scientist’s website on their tour page.

Here’s a clip of them playing their song My Famed Disappearing Act live at Mexicali in Teaneck NJ. The songs starts in classic Prog fashion with a nice technical guitar tapping riff. Enjoy and be sure to get this album!!!