Posts Tagged ‘Jazz’

'The Eight Deaths of Delphinium Gardener' was released independently September 10th, 2013.

‘The Eight Deaths of Delphinium Gardener’ was released independently September 10th, 2013.

Elitists would probably agree that they just don’t make music like they used to, especially in the Progressive Rock arena. Some would say that today’s prog elite is more in to showing off their skill as opposed to using their skill to make good music. Long gone are the days when music possessed the intimacy, the humility, and the raw genuine passion for making music inspired by something else. Fret not; Sigmund Blue is here to fill in the void, no DeLorean required.

Sigmund began as a project between two members but took to full band status with the addition of another member in 1999. Each member recorded their parts separately as the three live in different regions of the United States. Un-phased by such unfortunate circumstances, the trio presented The Eight Deaths of Delphinium Gardener (Eight Deaths) in September of 2013. Eight Deaths is a 1970’s inspired concept album that chronicles the many trials and tribulations encountered by protagonist Delphinium Gardener.

The album opens in spectacular fashion with ‘Overture’, a piano friendly introduction with remarkably familiar melodic trappings. Immediately the goal of the album becomes clear with this “curtains up” instrumental. It is as much of a proclamation of arrival as it is a solid introduction. The melodies that dance throughout the latter stages of the track serve as a perfect lead-in to the track that succeeds it, Charcuterie of Babylon. From then on, Eight Deaths stays the course with a chill-out easy going vibe that serves to put the listener in a state where focusing on the story becomes a natural reflex.

Eight Deaths shakes things up with ‘Can’t Stay’, presenting the first deviation from what the album had previously established as a norm. This is by no means a bad mark on the report card, as the band does well transitioning be a more rock based feel to a song that contains more bounce and pop. After that diversion, the album returns to business as usual until ‘Go Now’. This track is by far the emotional powerhouse of the album. The vocals carry the weight of the songs part in the story with incredible ease and packs enough power to move the listener to tears.

From that point out the journey is much more rocky but the sonic cohesiveness heard earlier in the album remains consistent. The exiting tracks at this point of the album serve as a build up to a climax that sees a rather calm and soothing end melodically. ‘Pod’s Lament’ serves as evidence of this with gusto as there is a stark ramp up in energy. This track sees the band shed the prog rock element for an all out balls to the wall sprint to the finish. It makes the transition to the aptly named album closer ‘Epilogue’ all the more interesting.

The members of SIgmund Blue recorded their parts separately, relying 100% on technology to complete their projects.

The members of SIgmund Blue recorded their parts separately, relying 100% on technology to complete their projects.

The biggest hurdle for this album to overcome, aside from some slightly creepy dialogue in ‘The Meeting’, is the time investment. At 18 tracks and just over an hour and five minutes, there may not be enough meat for the average listener to chew on. Big moments tend to fall flat due to the context of the era that influences the production, but if appreciated properly within said context, it makes for an even bigger set of musical events. Eight Deaths is far out in a good way and all in all, the entire album achieved what it set out to do. Fans of Queen and the Beatles may have something to latch on to here.

Album Picks: Here It Is, Can’t Stay, Go Now, Carbon Copy
Album Skips: The Meeting

Rating: 4 out of 5

Do you like the feeling of electronic music but don’t like its repetative movements intended for drug fueled dancing? Do you like rock but wish it focused less on being loud and more on soundscapes? Then push play on these bands. You won’t be disappointed.

Žagar This Hungarian Psychedelic/Jazz/Atmospheric/Rock/Awesome band is one to keep an eye on. They always have something going on. Their style is the perfect hybrid of the electronic feel and drive with the beauty of rock and jazz melodies and analog production. The band has a long list of filmography credits and you can really hear it. Wait until the horns come in at around 2 mins. Forget goosebumps. It’s all about the nipple hardening.

Indigo Sun They are my most recent find and my most favorite at the moment. They’re a jazz fusion band disguised behind electronic productions. Definitely worth checking out.

Stateless Such a wonderfully emotional song. Builds up just enough to lock you in. This London based band started out as your generic rock band but they embraced the idea of adding more electronic elements after meeting DJ Kidkanevil at a hip hop show in Leeds. They have two albums out right now on Spotify.

The best part of this Swedish four-piece group, Wintergatan, is that they aren’t electronic at all. There are no samples. Instead they play a range of homemade and unorthodox instruments along with some more conventional ones to create a foreign yet familiarized sound. The lead here is the accordion and oh boy has one never sounded better.
Their popular track Sommarfågel was featured as our Song of the Day back in July.

Jaga Jazzist has been around since the 90’s but have been the forefront of the new age of jazz. These Norwegians take jazz whole heartedly and incorporate every genre and instrument they can come up with. Every song is a new experience. They’re not for everyone but if you enjoy driving beats and head spinning melodies they might be for you.

Incubus okay so they’ve been around for a while and for all intents and purposes, they suck now. Since the line-up changes and their increasingly mainstream standings they haven’t been the same.
If you’re looking for a rocking band that throws in ample amounts of electronic sections they’re a good band to start with. Their earlier work; eg. their first album: Fungus Among Us, is my favorite which resembled the beginning of funk metal but they’ve toned down and tuned out since that work of perfection.

You can check out these bands and some of their other songs on this nifty little playlist I created for all you. I know, I’m awesome, but keep it in your pants you perverts.

The internet is a wonderful place. It helps you connect to the world and be able to link up with everything around you. All without ever leaving the comfort of your heavily fortified pillow fort.

Sitting there, patrolling facebook while listening to the newest The Glitch Mob, Periphery, and Phantogram albums.

But what if… STAY WITH ME!

What if you went outside and saw these artists… LIVE!? It’s good for you!

gif parks and rec

More importantly it’s good for the artists.

It’s no longer difficult and tedious either. You no longer have to talk to that annoying hipster at your local coffee shop who knows too much for someone who hates everything. Thanks to the wonders of the internet you can easily track your favorite artists in real time and find out who’s playing your local venues.

You may be surprised what places have live music.


Gigfi is a relatively new website that allows you to search your local area or favorite venues to find upcoming gigs and then creates a Spotify playlist out of them. If that’s not innovation and integration it’s finest, I don’t know what is.


Songkick is another integration tool that brings gig alerts right to your facebook, right when they’re announced. Enter some of your favorite artists and it will alert you when they’re in town or use the stalker feature to find out the shows you weren’t invited that your “friends” are seeing.


Bandsintown is similar to Songkick but also has an app for android and iOS that gives you updates the moment a new concert is announced. It tracks your Spotify,, or iTunes accounts for bands you’re listening to so no need to constantly search and update your favorite artists.
This is also a fantastic tool for artists as well who can set up an account to alert all their fans of where they’ll be.

PollstarPollstar is an international music news website with a real time ticker listing average ticket prices of various acts. It can be a little daunting and shove things in your face but it’s perfect for finding ticket deals. Look! They even know who Karl Denson is.. is not just a great tool for finding shows but also restaurants, local attractions, hiking trails, sporting events, human sacrifices; basically where all the cool people will be.

So go out this weekend. Bring your imaginary friends and shake your imaginary fannies to some good music. We have to support those that bring us so much enjoyment to our lives when we’re ruling the realm from our pillow forts.

You will find me at the Set Back Inn tomorrow night (Friday 2/28/14) in Tarrytown watching the massively talented Reggae/Dub/Funk/Afrobeat/Jazz/Wutd’hellwuzthat? group, Sixth Degree.

Try not to get overwhelmed by their awesomesauce.

Feeling guilty listening to top 40 hits on the radio? Wish there was a way to be hip and  listen to good music?

Well you’re in luck! Omaha Diner is for you!!

Omaha Diner takes these pop hits and transforms them into virtually indistinguishable new tunes with their incredibly unique skills and creativity. Below is the Bruno Mars’s cheese anthem but they also cover Mackelmore’s “Thrift Shop”, Beyonce’s “Single Ladies”, Queen’s “Another One Bites the Dust”.

The songs go through the Omaha Diner and come out better, stronger, faster.

Essentially if you turned Megan Fox into the 6 million dollar man (you heard me), using Ferarri parts.

Sexy on the outside. Scary on the inside.

Featuring the ear defying 7 string bassist/guitarist hybrid Charlie Hunter, the “saxophonic” pioneer Skerik, trumpet player Steven Bernstein, and jazz drummer vet Bobby Previte. These guys claim they’ve played on every continent sans Antarctica. Only Metallica gets to do that.

They’re truly an act that you have to see to believe. Skerik implements effects and loops into his performances creating an entire brass section consisting of one saxophone. Charlie Hunter is known for being able to lay down thick bass lines while tucking in slick guitar melodies and solos all at the same time. Even if they weren’t playing top 40’s hits they’re a group like no other.

Collectively they’ve played with major acts like Aretha Franklin, Lou Reed, Elton John, Roger Waters, Sting, Pearl Jam, Tom Waits, Les Claypool (Skerik in Fearless Flying Frog Brigade), Ween, My Morning Jacket, Digable Planets… The list continues.

Here’s a video of them playing “Locked out of Heaven” live at the Blockley in Philly. It’s a little wonkier than the tightly arranged album version but it is still preferable it to the original.

Be sure to check out the full album available on Spotify (right down there buddy),, iTunes, Bandcamp, Discogs, or go to to purchase their album, get signed goodies, even request their next song!!

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Everyone loves a great performance by his or her favorite artists; no really, it is true! Hundreds of thousands rush to Ozzfest, Warped Tour, and the like to see their bands tear it up each year, and each year the talent is up to par, or least they are supposed to be. Standing in a sea of people all day waiting for the headliner can become quite a chore when you have to endure horrible support bands…and if the headliners let you down, you would be ready to flip a table. Not all musicians have the stage chops to carry a crowd through a set. However, their god awful on stage performance should not leave you to with the thought that they are god awful musicians overall…wait, let me finish Kanye.

Events like American R&B diva Beyonce’s lip-syncing the American National Anthem and last month’s air guitar scandal at Super Bowl XLVIII leave many with a salty taste in their mouths concerning musical performances. Cynics across the interweb’s social sphere drew the conclusion that the days of live pop performances are over. Fans found themselves doubting the ability of their favorite artists, and others merely chalked it up to the decline of talent in the modern day music industry. Oh ye of little faith. Fret not; you can still enjoy great performances while cherishing the talent behind what you see.

Rock out...hard!

Rock out…hard!

A typical musical act’s purpose is to present a combination of musicianship and showmanship that is as infectious, magnetic, and powerful as possible. In a controlled environment like the studio, focusing such raw unrestricted energy can prove to be a challenge. Modern day tricks like ‘elastic audio’ can fix stray grooves, and auto-tune rules the modern day recording vocalist music, but nothing beats a solid take or two. Reduced labor, computer processing, and the amount of coffee needed for endless nights of editing are benefits of having “one take Jakes” in the studio. Nevertheless, a hybrid will get the job done, and earn a healthier living than the other two one trick ponies.

Read more at: Underground Press

Yes!! Tonedeth is back up and SPRINTING for the new year.

Okay.. maybe warming up with a slow jog. I’m a bit out of shape here.

Let’s start this off with a review of Childish Gambino’s Because the Internet, one of the several albums that dropped last year to make me scratch my head and listen to over and over again. To be honest this is one hell of a release, not simply for the musical content but because it was tagged along with a 73 page screenplay and a 20 minute short film. The three are only vaguely related, so you could count them as three separate works.

Donald Glover is slowly but effectively becoming a household name. The triple threat artist already has acting and directing firmly under his belt with significant work credits from NBC. In interviews he claims that this album, Because the Internet, was his most “honest work to date”.

If it is honest then either this guy is either very depressed or desperately attempting to divorce from his “funny guy” image. Which is never a bad thing but it seems that he has instead created a doppelganger, his antinomic twin. Donald Glover is the comedian and the clown. Childish – ironically –  appears to be the mature one, creatively distraught with where his life choices have brought him.

“I mean where’s the line between Donnie G and Gambino” – “III. Life: The Biggest Troll”

One of the more interesting aspect of the album is that you can witness the dichotomy of the two characters in the word play. In between the lines of self deprivation and the cliché bragging about his cash flow (all too common in this genre) there is a divided man unsure of his identity.  His modesty can come off authentically but it is piled under a thick bite of unabashed confidence.

Because the Internet is certainly a leaping departure from his last album Camp which had more of the generic production and content of a mainstream rap album with the incessantly catchy hooks and ridiculous lyrical work with the occasional reference to life as a 90’s kid. This guy sure knows his market..

“Camp was an album for 13-year-olds, kind of written by a 13-year-old — it was very angsty and silly, but this album I think is just about my time at NYU more. It’s more grown-up, but a lot of things on the album happened to me this past year. I don’t know if I’m more mature on this album but I definitely know more about music.”

I can see that but I don’t necessarily agree. He makes many more references to his time at NYU in Camp. Because the Internet sounds like it takes place way beyond that. More referring to his celebrity status and growing as an adult, now 30 years old.

As far as musically, he has matured and incorporates original sounding and ear grabbing melodies to this album making it stand out from his previous releases.

This newest work was recorded at NBA star Chris Bosh’s mansion which Glover dubbed “The temple” and enforced a strict no shoes rule. Definitely wouldn’t want to do anything to damage that guy’s house.

“Who tracked mud in MY kitchen!?”

The tyranny continued banning “tweeting and instagramming” and a implementing a harsh work day starting at 10am.

Ahh.. the weary life of a recording artist…

 Because the Internet is Gambino’s second album on Glassnote Records, and Camp was the label’s first hip-hop release ever. Unfortunately the label doesn’t quite consider him a “major” artist. It’s hard out there for any rapper whose name doesn’t end with “West” or “Z”… The label told him he would have to wait to release the album in 2014 despite its completion in early October. He had other plans.

“If it wasn’t gonna be released then, I was gonna release it myself. What’s the point of waiting? I feel like that’s the only time people would be able to listen to it. December is the perfect time. Albums made a really big impact on me when I was alone and everything was quiet, and I know that’s when students go home, that’s when everything is closed, so it’s a good time to just listen to something and be yourself.”

Glover got the idea for the cryptic but brilliant album name from conversations he had with friend and alternative indie artist, Beck.

“Everyone keeps saying by this or that year, Mandarin or Spanish will be the most dominant language, but the internet is already a language we are all connected to… But the thing is, there are no rules, which is also the awesome thing.”

Internet as a language is not as inane of an idea as it may sound. In the screenplay he constantly uses Emojis to describe an action, expression, or emotion as if it were common place. An editor wouldn’t allow it but the majority of the market who will buy his album will not only understand it completely, but embrace it.

It seems he’s eyeing the role to be the voice of the viral generation, the globalized media junkies. He relates to them with his poignant media references to “Rugrats”, “Fresh Prince of Bel Air”, and “Double Dare”, all mega-popular shows that millennials have grown up with. But with so many references and metaphors a purpose gets lost. He jumps between the gangster and the clever less than seamlessly.

Maybe it’s me but the lyrics on this album rarely make sense. They jump topics and go in an out of focus so quickly it just seems he’s making observations on events happening in his brain. Maybe it’s intentional and he wants to appear obscure but it comes off as random.

The content ranges from the gangster rap dribble:

“Instagram my stack load
Hashtag my day wear and your girl drank my day care.
I’m born rich, life ain’t fair.
Ain’t nobody sicker and my Fisker ‘vroom vroom’, ho”

To esoteric thoughts and pop culture references:

“Year off, got no rules, tripping off of them toadstools.
More green than my Whole Foods
and I’m too fly, Jeff Goldblum.
Got a glass house in the Palisades, that a.k.a.
White hood, white hood, Oh K K K”

both are from the track, “IV. Sweatpants”

Sometimes they flow musically and even poetically but many just sound like extemporaneous rants. Either he’s ran out of things to say or his life is so foreign and weird that we have nothing else to believe?

The first single “V. 3005” released back in October of 2013 is currently #44 on the top 100 Billboard chart. The music video is certainly a strange one and is meant to give the impression of intense loneliness. The entire thing is him sitting stone faced on a ferris wheel with a large stuffed bear. Complete departure from his silly character, Troy from “Community” or his work with his old comedy troupe Derrick Comedy.

This track is the least interesting on the album. The instrumental is painfully simple and his flow seems forced. The intention was clearly to be the single track, the one that you assume the rest of the album will sound the same to get you to listen to it. It’s similar to his song “Heartbeat” off of Camp. Catchy sung hook with a thick electro-pop background. “3005” also appears to be about love gone wrong but he claims it’s about being alone, not necessarily from a loved one.

What struck me instantly about this album and made me want to write a lengthy review on it is that it reminds me of a metal production rather than a new hip-hop record. It’s very dark, not so much in content, but musically.

The first song, “I. Crawl”, starts with samples of a screaming and a heavy industrial sounding background. I could easily imagine a guttural growl come in with the drop at about the 30 second mark. “Bet you crawl. All alone”.

New rap-metal album?

donald glover screaming

The bassline for the verse of “II. No Exit” sounds like something straight out of a Lamb of God. There are several more parts of the album that could easily be implanted into a metal song because of their dark anxious tone like the end of “II. Shadows”.

He’s kind of proving his point with Because the Internet. The world is getting smaller, there are less visible boundaries and Childish Gambino intends to blur the lines between rap, pop, and rock.

Here at Tonedeth we focus on the unique and commend the strange. You think we’d review any ol’ album?

Most of the tracks start off unassuming enough but many end with left turns or simply switch genres. On “I. The Worst Guys” featuring Chance the Rapper has a Santana-esque guitar solo thrown in to keep the flow of the song going. And “II. Worldstar” winds down with a laid-back electronic jazz ensemble complete with a baritone sax solo.

If the instrumental tracks he raps over weren’t interesting enough the fact that he has four mostly instrumental and transitional tracks with little to no rapping shows he has intentions of making an album not a mix-tape.

Because the Internet is exceptional in many respects. He breaks boundaries musically and addresses the social media revolution and how it has affected him professionally and personally. Childish Gambino is a very emotionally divided man. Not only must he cope with this new persona he’s created that he wishes to shed but he’s clearly unhappy with this life and mocks it at every turn. This channeled into the creative can leave people with a strong taste in their mouth that may or may not be bearable.

I give this album:

3 / 5

It’s intriguing enough that fans of rap, pop, or rock can find something to latch on to. It’s musically dynamic and intense but his lyrical structure is a little predictable and needlessly verbose for the sake of flow. I liked Camp and enjoyed pulling back the layers on this piece but it’s lacking some substance. Give it a listen, chew it over, and take a look-see. In that order. It’s worth it.

Can’t get enough of the multi-talented Donald Glover?
Go check out the show Community. It’s running on it’s 5th season but it seems Glover’s character Troy Barnes becomes a part-time role only appearing in five out of the thirteen episodes planned for the season. This will be the second main character to leave the show after Chevy Chase as Pierce Hawthorne.

In a series of personal and revealing photos uploaded to instagram Donald Glover sheds light on his career choices as of late.

“I didn’t leave Community to rap. I don’t wanna rap. I wanted to be on my own.”

Will this be Gambino’s last album and Glover’s kick-start to a more serious acting career?

At the moment he is also gearing up for his musically themed show to be aired on FX sometime this year that he will write and direct. He claims his move to the station was for their willingness to work around his tight touring schedule.

And the traveler bandIn a world of mediocrity and trite songwriting three men take it upon themselves to peel back the paradigms of rock and spit on the corpses… Okay. Enough of the dramatics.

It’s time to get serious. And, And The Traveler is seriously good.

Max Johl – Guitar / Lead Vocals
Donald Perdomo – Drums / vocals
Josh Goldberg – Chapman / vocals
These lovely locals hold their main base in Yonkers, NY. See? I keep telling people there is good music in Westchester County…

Upon first listen you’re likely to assume they’re the usual 4-5 piece band doing some awesome rock tunes. Well this is where it gets interesting. They are a in fact a three piece; but instead of a boring ol’ guitar or bass dynamic they mix it up with Josh Goldberg playing the artfully obscure chapman stick. Made famous by the great Tony Levin of King Crimson. The chapman generally appears to be one of those instruments that is usually isolated as the “solo-performance” instrument rather than having use in a full band. Even in Crimson tunes, where Levin can be heard on the stick, it seems that the rest of the band is accompanying him rather than in support of. And The Traveler’s use of the stick in their music is leaps ahead of many modern rock bands and adds an entirely unique quality to their arrangements.

Josh was just recently featured on the Chapman Stick website as a featured artist. He also records and posts videos on his own personal page entitled Stick Science in which he gives playing tips, solo performances, playthroughs, and answers frequently asked questions.

They are inherently a “rock” band with many songs you could easily hear on a radio station. That doesn’t make them bland to me. It only fascinates as I delve into and peel back the layers. Which for a three piece, is quite expansive. The first track on their album The Road, The Reason is Steps. It’s an upbeat tune that starts big and enters some ethereal expanses. It’s very much similar to Dear Hunter, minus some hokey dramatics.

You can stream the entire album on Spotify, well as on their bandcamp

The guys were nice enough to send me the full double disc album complete with an artwork book illustrated to stories that their songs unfold when I bought it off of their bandcamp page.

Pulling influence not just from many genres but from many decades. You can easily hear classical influence round up with modern rock and jazz.

They’ve got the technicality of King Crimson and Dream theater, the dynamics of the Dear Hunter and the Mars Volta, and the diversity and unique song-writing like the Rx Bandits and Primus.

I could go on for hours about the diversity of this band. The diversity of those they emulate is drastic enough. But they aren’t some simply copy/paste group of artists. Their music is totally unique and stands on their own among any progressive band out right now.

Their album is mixed so well for the band that they are. It’s sparse enough to hear all of the intricacies but big enough to fool you into thinking this is a full sized rock band. Chapman sticks have the issue of “blending” but the guys at Schroendinger’s Box Studios performed wonders and made it work.

Many cases with two disc albums, I find myself picking a favorite side. With this… I cannot. Part II is far from a B side, and is diverse enough to hold it’s own as a distinct album. My favorite track being the first one on this side, called Spiderclass. Such a raw sounding that builds up, sounding similar to Primus, a tightrope love affair between rock, jazz, and avant garde.

The band documented much of the recording process in little video shorts hosted on youtube featured on their website’s media page.

Be sure to pick this bad boy up and give it a strong listen. That’s an order.


and the traveler 1

and the traveler 2

Thank you scientist cover

No. Thank you, Thank You Scientist. Thank you for doing what no other rock band seems to be doing right now. Be still, my beating heart… They have horns and strings. Lots of it. And they’re damn good at it.

For fans of The Mars Volta, Coheed and Cambria, Closure in Moscow, and Trioscapes.

Ellis Jasenovic on Saxophones
Andrew Digrius on Trumpet, Flugelhorn, and trombone
Russell Lynch on Violin, Viola, and Mandolin
Tom Monda on Guitars, Shamisen, and Cello
Greg Colacino on Bass
Odin Alvarez on drums, percussion, and fathering gods
Salvatore Marrano on vocals

Out of Rochelle Park, New Jersey, Thank You Scientist is incredibly interesting for many, many reasons. Their sound is entirely their own but takes on influences and sounds that are familiar to even the most sheltered of music listeners.

I have fallen in love with their second album “Maps of Non-Existent Places” which was recorded by Jesse Cannon at Cannon Found Soundation in Union City, New Jersey. Many great bands have recorded there like Mastodon, Dillinger Escape Plan, Botch, Everytime I Die…
Mastered at West West Side Music and Released in April 2012. The album is very well done on all ends.

The Prelude to the album opens as an a cappella ‘tip of the hat’ to John Denver’s 1966 tune Leaving on a Jet Plane but these guys are a little more retro and decide to take the train, pfft… hipsters… It’s airy and a nice introduction to the first track A Salesman’s Guide to Nonexistence.

This track makes several seamless changes that is all just a part of their ultimate design as a band. The riff sounds remnant of early pop-punk but when the horns come in you’re suddenly listening to a Ska band, or so you think. The song continues as a really epic rock tune that hits several big sections. Odin Alvarez stays in the punk rock realm on drums most of the time but really only for this song.

The use of their instruments is far from overdone and they have tasteful lines to really emphasize the song structure. The dynamics of their songwriting allows for a lot of space which is really hard to come by for bands with such a large lineup.

Their most popular track is Feed the Horses (based on Spotify and plays). It’s a sexually charged progressive rock rant, instantly getting goosebumps from that first run of 30 seconds. Rhythmically complex and has a sound similar to that of Trioscapes, the mind-blowing jazz-metal side project of Between the Buried and Me’s Dan Briggs.

At 10 seconds it goes into a headbang worthy breakdown with horns blaring with dramatic flare. The song then transitions into a funky section almost unexpectedly from how the song begins. I’m especially impressed with the Salvatore Marrano’s distinction on this track.

It seems Marrano was channeling the late Michael Jackson when recording Feed the Horses. His voice goes really well with their funk parts and it suits their diverse sound. Overall he works well for the group but he tends to remind me of Claudio Sanchez of Coheed and Cambria – who I’m not particularly a fan of. At least he doesn’t have that damned beaver dam on his head… He really shines in their less “rock” sounding sections and actually has a great timbre when he’s not reminding me of a pop-rock singer. I try not to let a single instrument disrupt my enjoyment of music so it shouldn’t affect yours! I know for a fact many people will fall in love with the band because of the sound of his voice.

My favorite track on the album has to be the instrumental Suspicious Waveforms (love the name too). Not for the fact that there isn’t singing on it either, mind you. It’s a really fun jazz fusion song with many lines that make you want to get out your chair and shake dat ass.

The main line gets in your head so fast you’ll think you’ve heard it a thousand times but still want to hear it a thousand more. Every one of them has moments where they really stand up but they use periods of quiet transitions to prepare you for the brilliant solos. Russell Lynch’s violin solo in particular is astounding. The song goes through modern jazz, soul, funk, even a few brief moments of eastern folk. I can’t help but listen to it everytime I put on their album.

Support local music while getting full quality!
Buy from the band via their store on www.thankyouscientist.netBandcamp, Amazon, or iTunes!
But they are infact available for streaming on Spotify as well as on Bandcamp.

Why not check out their first release “The Perils of Time Travel”. A great album and shows some fantastic growth between the two records.

Catch these guys on tour right now with the Tea Club, another proggy outfit sounding more along the lines of a darker Dredg or Muse.

The shows are all listed on Thank you Scientist’s website on their tour page.

Here’s a clip of them playing their song My Famed Disappearing Act live at Mexicali in Teaneck NJ. The songs starts in classic Prog fashion with a nice technical guitar tapping riff. Enjoy and be sure to get this album!!!

Whew.. shivers. From the moment Rochelle Bradshaw uttered that first line my skin erupted with goosebumps. “Jammin” has always been my favorite Marley tune and this jazzy and soulful rendition only affirms that. The laid back rhythm laid down by Yaniv Taubenhouse on that bright grand piano takes the down-tempo reggae riddim from a hot beach in Jamaica to a smokey jazz bar in NYC.

Rochelle really makes the song her own adding a sensuality Mr. Marley would swoon to himself. Even the videographer, Leo Smith, can’t seem to keep his camera focused and there are several moments the “gaze” drifts downward to Rochelle’s chest. Hey, who could blame him? There’s nothing sexier than a talented woman with a sultry voice.

Recorded at Crisp Recording International in 2012 as a part of a cover song series where they also performed Stevie Wonder’s “Overjoyed”.

I thought this song would be appropriate for today considering I’ve been battling a bitch of a stomach virus for the past couple of days. Praying to the porcelain gods to be rid of this sickness. I was not down with this sickness.

Richard Cheese is one of those rare gimmick groups with talent and class. Taking covers and doing lounge and jazz versions of popular songs but have generated a lot of their exposure from revamping famous hardrock and metal songs like System of Down’s “Chop Suey” or Rage Against the Machine’s “Killing in the Name”.

The Disturbed version is wildly overplayed and one of those songs that had it’s 15 minutes of fame beaten in the back alley of a radio station. Maybe Disturbed should switch to playing this version live. Trade circle pits for quiet discussions around a warm hearth.

This track as well as several albums are available on Spotify